##Mokuroku [目録]
Gassan Heihō Kenjutsu practice is organized into three main levels:
- Shoden (
初伝 ) - Chuden (
中伝 ) - Okuden (
奥伝 ).
Its initial focus is in the kata practice of Kashima-shinden
Jikishinkage-ryū (
Shoden
Training begins with the historical mokuroku (
- Unpō (
雲法 , walking methods), suburi (素振り ), and paired kirikomi (切込み ) practice - Hōjō (
法序 ): Hassō Happa (八相発破 ), Ittō Ryōdan (一刀両断 ), Uten Satten (右転左転 ), Chōtan Ichimi (長短一味 ) - Tō-no-kata (
韜の形 ): Ryūbi (龍尾 ), Menkage (面影 ), Teppa (鉄刃 ), Matsukaze (松風 ), Hayafune (早舟 ), Kokushaku (曲尺 ), Enren (圓連 )
Hōjō is practiced in a continuous fashion, modeled after the four seasons, using
a heavy Japanese white oak bokken (
Tō-no-kata is practiced on the left and right side in most kata, although the
last two kata have a single version each in contemporary practice, and Teppa is
practiced in four parts: left and right, retreating and advancing. Tō-no-kata is
practiced with leather wrapped bamboo shinai — these pre-date the shinai
commonly used today in Kendō (
After sufficient skill is displayed at Hōjō and Tō-no-kata, as well as in free
sparring (jigeiko or tameshi-ai (
Chuden
The next section of practice, called Chuden (
Once skill is developed in Hōjō and Tō-no-kata, we examine how the same
foundational kata are practiced in other surviving lines of Shinkage-ryū in the
arrangments called Sangakuen (
- Sangakuen is practiced to introduce additional tai-sabaki, explore timing and closer ma-ai. It serves as a bridge that helps students progress from the rote practice of Hōjō to the more advanced methods contained in Habiki.
- Nanatachi is said to contain the gokui of Shintō-ryū at the time of Kamiizumi Ise-no-kami and is a more advanced set.
Kodachi practice then contains six kata: Fusei (
In the chuden curriculum, we continue our analysis of related lines of
Shinkage-ryū by introducing variants of the tactics arranged in the kata sets
called Kuka (
Okuden
Okuden is the final level of practice. Habiki is an older arrangement
of Hōjō, sometimes called koryū-no-kata and contains sophisticated
body development practices, helical movements, explosive power
generation, and advanced breathing and vocalisations. Additional
topics include advanced tactics, including excerpts from Empi (
The use of field weapons from a variety of sources, including older Chinese methods of two-handed saber and long spear, are explored.
-
In our school, we have adapted our practice to use Nen-ryū (
念流 ) style shinai favored by Kashima Shinryū (鹿島神流 ), a related art, as they are more commonly available. ↩
